Stitch Guides & some Books
Monday December 21st 2009, 10:08 pm
Filed under: Needlepoint & Me

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This is a pleasant surprise. I have been trying to post a blog since yesterday and the stupid blog utlilty was down (again).

Themn with no fanfare or notice, it is working again. it is a good thing I am “ever vigilant”.

I have been spending more per book and buying better condition books. I figure I can spend less and buy lesser quality, then reject a third of them (with no recourse or right to return them). To me they are not good enough to re-sell. Clearly this is not the case for whoever sold them to me.

So, I figure it more or less works out if I spend more but they are all salable plus if they never do sell, I have some pretty nice books for myself. Another win-win.

I received some beauties this week. I wish I had done this sooner, so I could have offered them for the holidays.

I have a gift quality copy of:
Flowers, Birds and Unicorns; Medieval Needlepoint by Candace Bahouth

candacecover

A gift quality copy if Elian McCready’s Needlepoint.

elian
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A wonderful, also gift quality copy of Hugh Erhmans's Fruits of the Earth Needlepoint Book:
erhmanfruit

I have 2 copies of Margaret Boyles’ excellent book Needlepoint Stitchery. Not quite “gift quality” but very good copies. This is one of very few older needlepoint books that even mentions decorative stitches, never mind showing any.

margaretstitchery

And this amazing book, Graham Rust’s Needlepoint Design which was only published in the UK. This is also “gift quality”

rustcover

I am about to tell you about the new Stitch Guides (my own!) but as long as I am doing book blather I wanted to update you about my just finished reading of Barbara Vine’s (aka Ruth Rendell) The Chimney Sweep’s Boy.

It is not too surprising that it gripped me. It is a wonderfully crafted and written novel.

What was unusual was the strength of this grip. This book consumed me and I consumed it. I read almost all weekend, when I wasn’t working (and I did as little of that as I could live with) or sleeping.

This is a compelling book, totally unusual in viewpoint and story. The characters were not all that sympathetic, not at all. But this book…..wow.

The other thing we did was watch the 6th Harry Potter Movie, The Half-Blood Prince on pay-per-view.

No matter how much I may dream, plan or want to go the the movies in the movie theater, I only ever see movies when they come to pay-per-view or DVD.

Harry #6 was dark, a depressing movie. Besides the sad theme and action, the word for it is “dark”.

Each shot was dark, we had to make the room pitch black so we could see anything happening on the screen (a note to other movie stitchers).

Ok, remember this needlepoint design?

killedhim

I took it off NewNeedlepoint.com and sent it to my good friend Patt of Patt & Lee Designs for her to do a Stitch Guide for it.

She created a wonderful stitch guide for it. Her familiarity and use of decorative stitches is way, way beyond mine. We did have some trouble with the colors. She picked colors from a very out of date DMC color card.

(side note: DMC used to produce these wonderful color cards with little fringes of the actual color floss in them. A few years ago they switched to the much more economical printed colors for each floss number. Now, even removing all tactile and nostalgic felling for the older cards, the newer ones are pretty bad. In many cases the printed colors are not very accurate. Of course, DMC covered their butt with a nice disclaimer about this still….)

Anyway, I had to scramble to find colors that exist now plus exist in #5 Perle Cotton for the color combinations Patt designed. In the end it all worked out and I have a wonderful Stitch Guide for the “If I’d Killed Him” Needlepoint canvas or kit.

killed chartpic

It includes colors, color combinations and recommended stitches in color, with simple graphs of each stitch.

I had sent Patt 2 of my canvases. This was a new one that had not been listed yet.

It is a Kanji for Joyous Love and some hearts. ( I obviously love the graphic design of hearts)

joyousheart

Patt sent it back with just some hand written stitch & color suggestions. She does not really have time to do these for me but she offered to help me create them.

That is really nice of her.

So, working from Patt’s base I made my first Stitch Guide.

Of course, the colors were mostly wrong (same reason, and yes, I have sent Patt a updated DMC color card). Some of the stitches confused me. One of them I could not find anywhere. The stitches she chose for the smaller hearts made no sense to me. They would be wasted on such small areas. Small hearts need small design decorative stitches, I think.

So, I started researching. I kept to Patt’s ideas about colors, that was the easy part. I suggested (and include in the kit) Kreinik Black Metallic for the Kanji

I used Patt’s suggested Stem Stitch for heart #1 with the stem one colors and the “leaves” the other. (running clockwise from top left)

I also used Pat’s suggested 2 color Jacquard Stitch for heart #2.

For hearts 3 & 5 I found a stitch called Single Brick Stitch in my copy of Susan Higgenson’s The Book of Needlepoint Stitches, published in the UK in 1989. (this is one I bought to sell and could not bring myself to part with).

It is a small stature variation on traditional brick stitch. I did not find it on Stitch-o-Pedia or in any of my American stitch books.

Hearts 4 & 6 I suggested Basketweave stitch, to let the colors shine out.

Heart 5 I picked Single Cross Stitch.

Patt chose the Alternating Cross Stitch for the creamy color background.

Instead of a small single graph picture and then a color picture of the stitch, I printed the stitches (except the single brick stitch from the Higgenson book) straight from Stitch-o-Pedia. Each one is in color and is 3-4 pages.

To me, anyway, this is more useful than a small color picture of the finished stitch.

Anyway, this took me most of yesterday (when I wasn’t reading) but I did it. My first Stitch Guide. I am going to try more.

It does seem to be the consensus opinion that this will help.

Now that I have written this, I am wondering if I shouldn’t go looking for already stitched pictures of the other stitches. I have one for the single brick stitch but…..

See, writing this made me think. That is BAD. Now I will worry this.

I know the holidays are looming large right now. Keith says I wrote a very accurate description of myself.
“The Grinch with better clothes, double process blonde hair and much better shoes”

Still, I am fun at a party after 1 drink (the original cheap date).



Isn’t Texas near France?
Friday December 18th 2009, 5:17 pm
Filed under: Needlepoint & Me

I finally made a sale last night/this morning (while I slept). Yes, I am thrilled. A nice lady from Texas named Mayme (I love her name) bought three of my hard-to-find books.

All good so far. Payments are calculated by my web site, it all happens automatically. For some reason, the web site software thought Texas was outside the Continental USA (OK, my husband is from Oklahoma but I don’t think he had a hand in this).

I am deeply grateful to Mayme that she paid it, extra shipping and all and then emailed me about the problem. I have to admit. had this been me, I would have cancelled the order and *stalked off* in anger at the web site.

I have already processed a $10.00 refund and put in a hysterical call to Zac The Tech to call me so we can fix this.

The next call to Zac will involve whining, if I have to make a 3rd distress call (unlikely) I am sure there will be pitiful sobbing.

So, thank You Mayme, you are a nicer person than I am (not hard to be).

I also want to thank everyone who commented on my adding the permanent link to NewNeedlepoint.com. What you don’t know is that I also solved the issue of why the link sometimes failed. The solution was stupid but not readily apparent, to me anyway.

This blog utility needs the http:// before the www.newneedlepoint.com to correctly make the link.

This means I have been doing the link wrong since I began this blog last March. (BIG DOH).

My customer bought (am I allowed to reveal this stuff?) The English edition of the Stella Edwards Wildlife in Needlepoint book, the Fannie Highsmith Up & Downs Needlepoint and the Eleanor Parker Letters & Numbers book. All excellent choices.

I maybe able to get other copies of these, I might not.

I am still stitching away furiously (OK, maybe not quite furiously) on The 4th & 5th Bargello Samples for my re-opened Bargello Category.

This is the flag design. I think the small sun helps the design.

flag3

I wanted to add some grass & flowers at the bottom, but Keith reminded me that the flag can’t touch the ground so…….it will remain suspended in the sky.

And the Cubes design. I realized the counts would not allow me to do the pattern starburst style and having just one triangle upside down would just be weird so I am staying with classic Cubes.

cubes3

I know the bottom part of the grid goes further then the top, filled in part. This will be corrected. I also know the pattern goes outside the guide lines on both sides.

The guidelines are just that. The pattern has it’s own size which truly reveals itself as you stitch. It is almost impossible to predict, accurately, exactly where a bargello sequence will end. it is always best to leave yourself “wiggle room”.

Same thing on the top and bottom. As I fill in the bottom I will adjust the grid size so it matches with the top.

Designing the original of a Bargello Pattern Layout is a certain amount of Trial & Error and a certain amount of accurate counting (much harder for me than trial & error is).

I stitched the latest of the Cubes Pattern while watching Julie & Julia on DVD.

Now, I am a Meryl Streep appreciator (no quite a fan but I mostly like her work). I have nothing against Amy Adams either but I did not love the movie. I liked the Julia & Paul sequences much better then I liked the Julie & eric sequences.

Now, I do have a whisper thin connection to Julia Child. I grew up in Newton, MA which is the suburb just next to Boston. My mother once met Julia Chile at Lord & Taylor’s downtown, at the scarf counter. Mrs Child was nice, she smiled and said hello to my mother (back then my mother was an absolutely lovely blond woman. She is still gorgeous. It is true, good bone structure holds up a face forever. I look just like my father. not bad but not the same at all).

In my hippiesh underperforming years I worked part-time at a gourmet Cheese and Liquor Store right around the corner from the Child’s Cambridge, Massachusetts home. I don’t remember Julia ever coming in but Paul might have, who knows?

So, have I covered all my new news?

No, I forgot to mention I have a few new canvases and kits on NewNeedlepoint.com. I have been adding Valentines Day Heart & Love stuff plus I have a custom nn.com version of Patt & Lee’s popular Geisha Cat design.

I have moved stuff around some. I made 2 new categories. People & Places and Holiday Needlepoint. Some of the things in these new categories are only there and some are links from other categories.

Anyway, thanks to everyone who commented on my new Blog Page Permanent Link and thanks to everyone who suggested it and pushed me to actually do something about it.

This is funny, Zac The Tech said he didn’t know that could be done in the blog utility. I offered to teach him how. As you can imagine, that got us both laughing.



Yes!
Wednesday December 02nd 2009, 11:40 pm
Filed under: Bargello Needlepoint, Needlepoint & Me

After all my blather and fuss, I have re-opened the NewNeedlepoint.com Bargello Category.

There is no more Custom Color-Choice in your choice of sizes and materials, that was a dismal failure. Now the Bargello you see is what you order. The only variable is that the samples shown are slightly smaller then the kit canvases.

I will still include a graph chart of the stitch and detailed directions specific to that pattern. The Waves Bargello Pattern with the TrianglePoint Border is suitable for a novice needlepointer, not a true beginner but you do not need much experience to be able to successfully stitch this.

I have 3 Bargello designs listed now. There will be more as fast as I can stitch them.

I am working on A Ripple Pattern American Flag.
flag

The American Flag Bargello with this background is not a beginner level kit but I am thinking of offering a kit with the same flag but a different background stitch for beginners, with complete beginner’s instructions.

I wonder if Beginners are interested in Bargello Needlepoint?

Also this variation on the classic Cubes pattern
cube1

Both these pictures were taken a few minutes ago, at night under lights, so the Perle cotton floss looks very shiny, much more so than it really is. Try to ignore that. There are 4 colors in each cube, ranging from gold to yellow to white with a purple grid.

Right now I am fooling around with a border treatment of reversed stripes inside the incomplete cubes at the border.

I am not sure I like it. I might extend the borders to be all complete cubes with filler in the smaller open spaces and no border.
cube2

Anyone out there with an opinion, I would love to hear it (soon, before I stitch much more).

My Rare & Hard-To-Find Book Category has already begun to expand out of control. I keep finding more & more interesting books and buying them.

I am learning from these books, even as I look over them while listing them. So far I have kept 3.

The Book of Needlepoint Stitches by Susan Higgenson published in England in 1989 and full of interesting and unusual stitches plus the perfect size to slip into my (Claire Sanchez) Needlepoint Tote Bag and take with me everywhere. (nice self-plug that).

I really do like these English Needlepoint books.

I am keeping Maggie Wall’s Creative Needlepoint Borders (doh, no brainer, that one)

Needlepoint by Design by Maggie Lane, which is oriental designs for needlepoint.

I am greedily eyeing Hope Hanely’s ABCs of Needlepoint and thinking about de-listing it. I want it for ideas to add to my own Beginner’s Manual. Maybe I will read it fast and keep it listed.

I have 9 more to list and 20 more ordered. I found an extremely rare and quite expensive copy of The Illustrated History of Needlework Tools by Gay Ann Rogers. It cost me a lot, it will cost you even more (my idea of a joke, and a pretty good one too).

Now it is the Name Dropping segment of my blog. Janet Perry has bought 4 of my books. 3 of them before I could even list them on NewNeedlepoint.com, just from my list here.

She says these are books even she does not have (and she has a huge library of Needlepoint Books). This concludes the Name Dropping segment of tonight’s blog.

I know I have not been talking about my Jane Austen re-reading project much in the last few days. I was all wrapped up in Thanksgiving and Bargello but it is still going on.

I have finished Emma. One of the things I am looking for in this re-reading, besides happily visiting Jane Austen’s wonderful writing, is how close or far the movie adaptations are to the books.

So far, the wonderful and critically acclaimed Sense & Sensibility, directed by Ang Lee and with a great script by Emma Thompson, has veered the farthest but in a good way.

The movie made from Mansfield Park was faithful to the book in some ways and very different in others. It introduced modern issues and feelings to the story, not all that successfully. Mansfield Park was the hardest of the books to read, so far.

Pride & Prejudice is pretty much exempt from this. There are version & versions of it out there in film but the A & E mini-series blows them all out of the water. Even if Jennifer Ehle does not look as I imagine Elizabeth Bennet to look, it is a complete and faithful version.

Emma is difficult for me for different reasons. The book is charming, a lovely story and a fine read. Much more is made of Jane Fairfax then the stick figure she seems to be in the movie but the movie is forever tainted for me because it stars Gwyneth Paltrow. She is an actress I do not enjoy watching (or hearing).

Her mother Bythe Danner is a fine actress and clearly a classy lady. Her work in The Great Santini with Robert Duvall and 1985’s Guilty Conscience with Anthony Hopkins was terrific. If you haven’t seen Guilty Conscience yet, I recommend it.

Anyway, naming her child *Apple* is as bad as back in the 1960’s when Grace Slick & Paul Kantner of Jefferson Airplane named their son *America* (later changed to a normal name). It is really quite self-centered and arrogant, and this is how she seems to be, to me, when ever I read anything she has said.

Something about her and her nasal whiny voice puts me off and it put me off the movie Emma, which is a shame since in other ways it very is a good movie and quite true to the novel.

Next up is Persuasion, which is the last novel and my favorite of the movies. Something about Anne Elliot touches me. I don’t remember the book, I am not sure I ever read it.

I have taken a short break and just finished reading The Confessions of Fitzwilliam Darcy. It is one of the many Pride & Prejudice “sequel” books. I found it for a buck in the bin at Books-a-Million.

It was really fun to read. The author, Mary Street, did a fine job looking at the story from Mr. Darcy’s point of view. I have only read a few of these knockoffs. This one might be the best followed by Juliette Shapiro’s Excessively Diverted. There is even a soft-porn sequel to Pride & Prejudice out there. I am grateful to have forgotten it’s name.

I have not read the Zombies books (and I won’t, either).

We watched Angels and Demons last weekend. The follow up (or prequel, I am not sure) to The Da Vinci Code. It was hard to follow but at least Tom Hanks hair was normal.

Tomorrow I list the new, newly drawn and Hand Painted Roses Collage canvas & kit. I think Keith outdid himself here.
roses400.



all over the place
Monday November 30th 2009, 8:18 pm
Filed under: Bargello Needlepoint, Needlepoint & Me

I have a lot of ground to cover in this blog, let’s get into it.

I was not able to manage a TrianglePoint mitred corner for the Waves Bargello. Below is how I *fudged* the corners originally.
wavedone375

It looked bad, real cheesy. So this is what I came up with. It is a compromise but I think it looks ok, a lot better then the other way anyway.
wavesfinal

Now I have the 3 designs, I am ready to re-open the Bargello Category. They are the Waves above. This next one, Twin Peaks.
turquoisebargello500

And this wonderful Florentine Embroidery Bargello in wool stitched by Dr. Denise.
florwave400_2.

I will be listing them in the next few days.

I am working on 2 more Bargellos. The large American Flag Ripple Bargello with a wonderful sky pattern and a Cubes Pattern Bargello in purple, gold and yellows. I will post that here when I have a bit more of it done.

Keith has finished hand painting the Roses Collage. This is a new, stitch drawn, stitch painted version of my roses collage. I think it is terrific.

rosecanvas

There has been some interest in the books I will be listing. I have the first shipment listed but more have arrived. I have a lot more to do. Clearly I will not get to them for a few days now (at least) so I thought I would list them here.

This is almost all of them, I am, again, listing them in no order at all. Just the order I have them piled in.

  • Carolyn Ambuter’s Complete Book of Needlepoint. 1972 in a ring binder format
  • Needlepoint in America by Hope Hanley 1969 hardbound
  • The New York Times Book of Needlepoint 1973 by Elaine Slater hardbound
  • Patterns for Needlepoint by Hope Hanley 1978 hardbound
  • The A B Cs of Needlepoint by Hope Hanley 1973 small hardbound
  • The Bargello Book by Frances Salter 1993 small hardbound
  • The Book of Needlepoint Stitches by Susan Higgenson 1989 small hardbound from England
  • Needlepoint Stitchery by Margaret Boyles 1974 hardbound
  • Treasures of Tutankhamun in Needlepoint by Robert Horace Ross 1978 large paperback
  • In Splendid Detail by Catherine Reurs 1991 full color hardbound
  • Sylvia Sidney’s Needlepoint Book 1968 hardbound
  • Needlery by Glenora Smith 1978 hardbound
  • The Dictionary of Canvas Work Stitches by Mary Rhodes 1980 hardbound
  • Japanese Motifs for Needlepoint by Sally Nicoletti 1981 hardbound
  • Glorious Needlepoint by Kaffe Fassett 1987 First Edition in good condition, hardbound
  • Trianglepoint by Sherlee Lantz 1978 hardbound
  • Bargello and Related Stitchery by Charles Barnes & David P. Blake 1971 hardbound
  • Tribal Designs for Needlepoint by Gay Ann Rogers , Eskimo, Polynesian & Indian art 1977 large paperback
  • Oriental Designs in Needlepoint by Eva Brent 1979 hardbound
  • A Needlepoint Gallery of Patterns From The Past by Phyllis Kluger 1975 First Edition hardbound
  • Florentine Canvaswork by Dorothy Phelan 1991 Published in England hardbound
  • Needlepoint Bargello by Dorothy Kaestner 1974 hardbound
  • Needlepoint Designs From Asia by Gay Ann Rogers Persia, India, Korea, China & Japan 1983 large paperback
  • Wildlife in Needlepoint by Stella Edwards 1992 published in England

Plus the 2 I am on the fence about keeping
Needlepoint By Design, Variations on Chinese Themes 1970 hardbound. Maggie Lane’s name has popped up in so many acknowledgements, thanks and attributions from so many authors, I am curious about her book.

Creative Needlepoint Borders by Maggie Wall 1977. I always need borders.

This is interesting. We went to a major chain bookstore over the weekend, Books-a-Million. It has been years since I was in a real bookstore. I am a long-time amazon.com buyer.

The bookstore was not as I remembered them, they sell so many other things now besides books.

I went looking for Needlepoint Books (of course). There was a huge area for *crafts* books. They had everything, quilts, beading, crochet, knitting, scrapbooking, cross-stitch and more, more, more.

There was even an area on a bottom shelf marked “needlepoint” but there were no Needlepoint Books. None, Zero.

I guess maybe my little hard-to-find needlepoint book store on NewNeedlepoint.com was not such a bad idea after all.



I wonder when & why
Sunday November 29th 2009, 11:56 am
Filed under: Bargello Needlepoint, Needlepoint & Me

I am going to talk about something very interesting I have discovered from going over and getting the rest of these books ready for listing on NewNeedlepoint.com.

But first I want to show you a Bargello I am working on. This is, oddly enough, something a relative beginner could stitch. The two basic Bargello patterns in it are not that difficult. The Ripple stitch is very easy although you have to keep the count correct. The sky stitch does not have a name. It is initially somewhat difficult but once you have it down, it gets right along.

flag1_400

The picture below is a close-up of the background stitch

flagsky1_400

There will be stars in the blue area of the flag when the rest of it is done.

I had stitched a sunburst in the upper left hand corner but that did not look right, so I took it out. It has been suggested to me that I stitch a star somewhere in the sky and I might. Then again it might look redundant with the stars on the flag. We shall see how this develops as I stitch.

Very often with these Bargellos, I design as I go, See what works and what doesn’t.

I have nothing to show you yet for the re-stitch of the corners of the Wave Bargello with the TrianglePoint borders. I have un-stitched all 4 corners and I am thinking about it (yes, that is another way of saying I am procrastinating).

I am not, generally, a procrastinator. I am having trouble *seeing* it in my mind’s eye. That is not good. I need to do this, stop fusting around and do it. (someone please kick me).

Now, the books. In preparing these books to sell I have discovered that most of them, even the very fancy design books, use just tent or basketweave stitch for the needlepoint designs they show.

I know the many wonderful decorative stitches have been around for some time now but it doesn’t seem as if they were in general use until recently.

Look at this. This is a book of very advanced needlepoint patterns based on the treasures from King Tut’s tomb. The stitching on the cover of the book is all plain stitch. This book was published in 1978.

tutcloseup

In Hope Hanley’s 1976 book on Patterns for Needlepoint all these pillows on the cover are done in plain stitch as well.

hopepatterncover

In Catherine Reurs 1991 book, In Splendid Detail, which is more an inspiration/picture book than a needlepoint design book although there are charts for some of the designs in the back of the book, all the canvases shown are done this way. I haven’t found a decorative stitch yet, in 103 pages.

In Michele Weal’s 1975 Texture and Color in Needlepoint I do find some interesting stitches. They are clearly used to create texture but the picture on her cover is all plain stitch.

texturecover

And finally, the Rare and much prized Beth Russell books use, as far as I can tell anyway, all plain stitch.

russellclose

But then there is always an exception. I am not surprised to find that it is Margaret Boyles, who is my favorite and most referenced Needlepoint Teacher & Writer. This is her book from 1974 and the only of her books not about Bargello (that I have found, so far) Needlepoint Stitchery.

Look at the cover, it shows the same piece stitched both with both plain and decorative stitch.

stitcherycover

It is interesting that one of the earliest of the books I have collected for sale, so far, is this one.

I wonder when and why popular Needlepoint turned this corner and became more about the stitches used than just the *painting with thread or yarn* it clearly used to be.

To take this one step further. In one of my favorite old movies, The Heiress starring Olivia DeHaviland, Montgomery Clift and Ralph Richardson, needlepoint (or embroidery as it is called but it is clearly Needlepoint worked on a huge frame and stitched solid in tent and basketweave stitches with wool or silk) is a large part of the story.

When the jilted Heiress finally gets her revenge, she keeps stitching as it plays out, saying “she is almost done now”. Then at the moment of her revenge, she snips off the last thread and says ” I will never do another”.

I love this movie but I would not give up needlepoint just because I got a long overdue revenge on a heartless man.

My parting shot today is this:
* Revenge is a Dish Best Eaten Cold*



Thanksgiving& Elsa Williams
Thursday November 26th 2009, 3:13 pm
Filed under: Bargello Needlepoint, Needlepoint & Me

I hope everyone is having a nice Thanksgiving day (all 3 of you, my loyal readers). I am at my parents and my son, the chef, is cooking up a storm.

The Chanterelle mushrooms he wanted to add to the stuffing were vetoed by my Okie husband, the original meat n’ taters guy. Son also baked a totally from scratch apple pie.

I dn’t think I ever, in my whole long life, have made a pie crust from scratch. Of course, this is all Betty Crocker’s fault.

When I was listing a copy of Elsa William’s classic Bargello Needlepoint book, subtitled Florentine Canvas Work, I got to thinking about Elsa Williams.

She has become maybe the best known name in not only needlepoint but needlework of many kinds.

The list of products and canvases & kits that bear her name is almost endless. I wondered who she was.

Elsa Williams was surprisingly hard to research. Every search brought up her products, products, products.

As you might have guess by now, I do not give up easily so….I kept researching her.

Unfortunately, I am at my folks house with my tiny little travel mac and all my research is on my other (real) computer. Go figure. So here I go again, re-doing it.

The Elsa Williams School of Needlework used to be housed in Homer House in West Townsend, MA.

Oddly enough, I know West Townsend well. We lived not too far from there for many years, when we lived in Massachusetts (you would know I am a MA native because I can spell it). We had friends in Townsend (not good friends but friends) and my niece lives there now.

Without knowing it, I have been to the old Elsa Williams warehouse. It now houses the Hobart Antiques Mall. I have an extraordinary deep purple carnival glass vase in a fluted ripple pattern I bought there, it is a lovely thing.

Elsa Williams bought the old Homer House, which had also previously been the old Ronchen Inn, in 1971 and restored it. She then opened the Elsa Williams School of Needlework there.

Elsa Williams was born in 1912, she was a talented needle artist and a keen businesswoman.

She established Needlecraft House, The Williams Manufacturing Co. and the Elsa Williams School of Needlework, all in West Townsend, MA.

Local women were employed to produce needlepoint & crewel kits for her nationwide wholesale, mail order and local retail business.

The school was closed in the early 1980’s when Mrs Williams retired and sold her company to Johnson Creative Arts, which is still going strong in Townsend as JCA Co, As well the Elsa Williams products, they sell the wonderful Paternayan Persian Needlepoint Wool I use on NewNeedlepoint.com (had to get at least one link in here)

card00357_fr

I learned that on completion of courses at the school students were given a beautiful Sterling Silver & Emerald Thimble in a Velvet Presentation Bags. I understand these thimbles are fairly rare now.

In searching the web I found that many of today’s *needlepoint experts* are graduates of the Elsa Williams School.

1_79467dffa302d7e96205d453e95451a8

It was Elsa Williams mission to bring the Art of Needlepoint to Townsend.

It seems that she did more than that, she made needlepoint available & accessible to everyone.

I was completely unable to find any further information on Elsa Williams.

I can tell you, that the Bargello Book she published in 1967 is still *current* . The colors and the designs seem fresh and modern.

Many of the other older Bargello and Needlepoint books I have, while useful and wonderful, sometimes the colors used in them can seem dated. These do not, not all all.

This only downside to this book is there are no graphs, but oddly enough, the stitching is so precise and the pictures are taken so close-up, that I have stitched a few of these patterns without a graph.

Anyway, it interests me there is not more Elsa Williams info out there, I thought there would be.

So, everybody enjoy this wonderful day. I am thankful for many things (MANY) including this blog. I still can’t believe *they* let me do this.



Bargello, Books & Dr. D.
Sunday November 22nd 2009, 12:32 am
Filed under: Bargello Needlepoint, Needlepoint & Me

Dr Denise is a lady I met through my blog. She emailed me and offered to stitch some samples for me.

It took me a few minutes to understand, this was an amazing offer and if I had thought to wish for something, this is what I would have wished for.

I begged her to stitch a Bargello for me but she had never done one before. So, I wrote out my first ever instructions for Bargello, set up a canvas for her and sent it along.

She stitched this, it is not perfect but it is pretty darn good for a total Bargello newbie.
drdbargellobest-300x283

I thought it might be a good idea to show you what I do when I send someone a Bargello canvas to be stitched (be it customer or volunteer stitcher).

Of course, the edges of the canvas are finished. I send along a basic Bargello primer I wrote that includes the basics of Bargello, the basic stitch and the counts.

Then I stitch the *establishing line* on the canvas.

establish

This is pretty much the *heart* of the design. Then the stitcher can follow it, going up and down from the center. The establishing line (and most any Bargello) is begun in the center of the canvas.

The lines drawn on the edges are just really guide lines, they are not exactly where the stitching stops. The stitching stops, as close to the line as it can, so the pattern *matches* on each end.

Then I include some Bargello instruction web sites addresses.

As you can see, by doing this I can teach anyone to stitch Bargello.

It is important, as well, to not make the pattern too complex, until the stitcher is more experienced and comfortable .

Anyway, I sent Dr. D another pattern, this one a Florentine Embroidery pattern, it has several different names. I have been calling it Florentine Scallop.

Florentine Embroidery is just Bargello with 2 counts in the design, not just 5/3.

I got several emails from Dr. D saying it was not going well. I even offered to send her another one to try. She said she would keep going.

She said she did not like stitching with the wool. Maybe not but look at what she produced.

periwinkle_1

It is not perfect but I think she has done an incredible job. Remember this is the 2nd Bargello she has ever stitched.

The design colors are dark periwinkle blue, lighter periwinkle blue, olive green, peach and white.

I am not sure the colors show well in this picture. I took it with the camera’s flash. I need to set up the professional big deal lights and take a better picture.

This is a close up of one corner of this canvas. I took this right after she sent it. I had not yet blocked it.

It is now.

periwinklecorner

With the addition of this one and my 2, I now have 3 reasonable samples. I am re-opening the Bargello Category on NewNeedlepoint.com right after I get back from Thanksgiving.

I am working on 2 more Bargellos. I am doing an American Flag in Ripple Stitch. The movement is great, with this stitch. The flag part is done, I will take a picture of it tomorrow.

It is stitched on a bigger , 14 mesh canvas using Paternayan wools.

I am going to do a sunburst design in the empty upper left hand corner, to represent the sun and then the rest of the background in an interesting Bargello stitch that I hope will represent the sky.

I also began a Cubes pattern Bargello tonight. I am stitching it on 18 mesh and using the #8 Perle Cotton floss, doubled.

It is going well. I am doing the “framework” in medium deep purple. The cubes will be in graduationg colors, gold to dark yellow to light yellow to white.

I wanted to stitch it so the cubes would radiate out from the center of the framework but the thread counts don’t work, so I will have to do it “regular”.

BTW, the establishing line I showed you is my own adaptation of the Aurora Borealis Bargellp Pattern. I have some software now that lets me design Bargello patterns and graph them out using the actual colors of DMC cotton floss.

This adaptation is my first design. I am sending this one to Margaret in Oklahoma. She is the nice lady who stitched the Stitch & Frame Love Kanji canvas for me.

All of a sudden it is coming together.

I have all these great hand painted canvases by other designers for sale, We have the first of our own design hand painted canvas & kit in color listed and another one in process.

I received the first shipment of books yesterday, so I will open the Rare & Hard-To-Find Books Category maybe as soon as tomorrow.

The books are ok, some of them are quite good, some are just OK. I continue to be amazed by what these used book sellers consider a *good* or a *very good* book.

One of the books I received, that they described as “excellent copy, very good”, was filled with mold.

I did not want to even keep it in the house, in case the book mold is infectious (it could be!)

Anyway, they refunded my money for it and told me throw it away, which I did.

Too bad too, it was the Carol Cheney Rome Letters & Numbers book. I will try to get another copy of that.

Other then the filth and mold, it looked like a interesting book.

I finished Mansfield Park a few nights ago. The ending came as a surprise to me. Yes, I knew Mr. Tilney would arrive at Catherine Morland’s home in Fullerton and propose. What I did not know (or remember) is why, according to the author, he came to fall in love with Miss Morland.

He came to be in love with her because he was aware that he had made her in love with him, by his father’s express orders.

Having done that, he did not think it was ethical of him to draw back, not kind.

But also, the force and the attraction of her love for him, caused his love for her to grow.

it was like (of course Miss Austen did not say it this way) her increasing love for Henry Tilney sparked his love for her.

The is a power and a strength to knowing someone is madly in love with you. It creates almost an obligation, almost . Also it is safer to fall in love with someone you know loves you.

Too bad, in real life, love is not nearly so rational.

Keith and I watched the original Wizard of Oz tonight. They have been advertising it all week on the cable channels but we could not handle it with a commercial break for 6 minutes every 10 minutes (plus the cable channels endless self promotion).

Then we saw it was also on pay-per-view, so we did.

It was fun, I had forgotte what a great movie it is. The young Judy Garland is luminous and her voice is extraordinary. The Wicked Witch is terrific, as is Bert Lahr as the Cowardly Lion.

I sat there stitching and signing along “we’re off to see the wizard, the wonderful wizard of Oz” I know all the words and Keith didn’t even laugh at me (much, he just grinned).

It was a fun evening.

So, stay *tuned*. Stuff is happening now.



The Word New
Friday November 13th 2009, 11:18 pm
Filed under: Bargello Needlepoint, Needlepoint & Me

I do seem to use the word *new* a lot. It is in *new*Needlepoint, in my talking about all the *new* kits and canvases I am listing every day. It is there for my *new* Bargello Needlepoint category, where the Bargello will be offered ad sold in a *new* way.

I am up to my knees in *new* but I have another. I have a *new* computer. Usually that is fun and exciting, and I suppose it is this time too but it was not exactly my idea.

As those of you who brave the “wilds of my writng” and read my blog often may remember, I am a long-time, perhaps lifetime, Mac user.

I had a perfect, perfectly working iMac, about 4 years old. Foolish me read about Snow Leopard, Apple’s name for thier new OS X 6.1 release.

Had I had my wits about me I would have made a connection between “should I do this” and how cheaply they were selling 10.6.1.

It was $29.95, any of us who has been around Apple Computers for awhile knows Apple sells nothing cheap.

Well, I loaded it on my iMac and the problems began. They were getting worse and worse. The problems were varied and odd, the strangest was I was having to re-load Word every 3-4 days, it would just disappear.

So, being of a slightly masochistic bent (very slightly) I ordered another iMac, model 10.1 with the Intel chip, 3.06 GHz and doubled the memory to 8GB (with macs it is all about memory, more is good).

I called Apple and made them put a tech on the line to assure me (hoping it was not just the guy in the next cubicle) that this was not some machine 10.6.1 had been shoved on, that would give me trouble.

This one was built for this, in fact I am running 10.6.2. Ok, it does have a super widescreen monitor, with an incredibly clear, sharp display. It is FAST, but …….you know.

I asked Apple for a Snow Leopard ruined my perfectly good iMac discount. They refused. Had I the time & energy to follow it up, I think I could have gotten some kind of discount but it would have been work.

So, I did not want to do a full transfer, and bring the problems with me so I have been moving files to the new mac a few at a time by flashdrive.

This is all. all of it , to explain and apologize why I missed last night’s self-imposed (but important to me) scheduled blog entry.

Pretend it is last night and I will proceed.

I am making real progress on my second Bargello for the *new* and different NewNeedlepoint.com Bargello Category.

Below is the “wave pattern” with a TrianglePoint Border.

waves5_350

I am surprised by the TrianglePoint border. I thought it might be good but I did not know how good. I really like it.

The blue is the last design color row I have to do but I need to *cap* it off. I think I will do that with the green.

I realized I never took a picture of the Twin Peaks Bargello with the Slanted Gobelin Stitch border all finished. This is it, just before I began the blocking process.

turquoisebargello400

Both of these will be sold in my *new* Bargello category. They will be sold as the patterns for exactly these Bargellos as shown in the samples. The only difference will be in the finished size.

I am still on the fence about offering each in just one size or maybe giving a choice of 2 sizes. I am undecided.

I mean, color choice did not work out well for me, so I am not sure.

I have been listing a lot of new canvases and kits. The most recent are this Kelly Clark signed Nativity Cow

kellycow400

For beginners or anyone this adorable Gail Lang Hand painted SnowManOrnament

snowmanO

Jane Wheeler’s Hand Painted Raining Cats & Dogs

raincats400

And this wonderful design from Patt of Patt & Lee Designs, I call this 30 houses Contemporary Sampler. There are indeed 30 houses and 23 colors in this interesting and unusual design

houses500

I finished Jane Austen’s Mansfield Park this evening. I made the mistake of reading some of the several introductions included in the Penguin Classics version.

About half way through the book, I realized I had messed up my order of reading them. I was focused on reading them in the order they were written, not order published.

I should have read Northanger Abbey after reading (or not re-reading) Pride & Prejudice.

I got mixed up. One of the introductions said Mansfield Park was the least *loved* and popular of her novels. I am in total agreement with that and a famous wit called Fanny Price, the heroine, ” a *prig* and so she was, a moralizing, cowering coward of a girl.

No, I did not like her. I gather from the several introductions, no one much does but they call Mansfield Park Jane Austen’s most serious book, almost political. Ok. I pretty much agree. It is, in the end, a fine story. Worth Reading (as in bad Jane Austen is better then almost anyone else’s good writing)

Still, the book was not without some delights, some of Fanny’s observations were spot on and she was capable of some wit. Edmund was “heavy in hand” but Mary Crawford and her bad boy, weak willed brother Henry were fun. Mrs Norris is one of the classic *small* villains of fiction. And I enjoyed much of the conversation, I became fond of indolent Lady Bertram & her Pug.

One thing struck me, I had read that the recent movie made from the book took “liberties” with the story.

I mean, they all do except maybe A & E mega long and detailed Pride & Prejudice, they squeezed it all in. All the others took liberties but Mansfield Park is hardly recognizable as the same story.

Yes, the names are the same, as are the costumes. The emotions are similar but the events, the chains they formed and the results of peoples acts & decisions is altered almost out of recognition.

The places where the movie splits from the book are too numerous to mention but the height of it is the focus on the slave trade in Antigua. A book showing Tom Bertram’s drawings of his father involved in acts of slave barbarism are not, I promise you, in this book.

I think next I will jump back to Jane’s girlhood and read Northanger Abby.

Here’s an interesting quote I just found on Austen.com
“Mansfield Park has the dubious distinction of being disliked by more of Jane Austen’s fans than any of her other novels, even to the point of spawning “Fanny Wars” in internet discussion forums.”

How complex we all are, really. Even living in the parsonage at Steventon.



Mostly Bargello
Wednesday November 11th 2009, 12:22 am
Filed under: Bargello Needlepoint, Needlepoint & Me

I am making progress with the Wave Bargello sample. I am on the 3rd row of the TrianglePoint border and I think it is working up well.

wave4_350

This border is turning out to be very interesting. I had never heard of TrianglePoint when one of my blog readers from Australia, emailed me and suggested I look into TrianglePoint.

Who knows what I was writing about that day, I was probably complaining about the lack of good graphic needlepoint designs or whining about borders. It was a while ago.

I bought the book, used of course, on amazon.com. When it arrived I was surprised. The idea was interesting, close to unique maybe. A variation on Bargello? A needlepoint stitch? I am still not sure but this is the first time I have used it, besides just *stitch doodling*. There are some things to learn about it, it is not all straight forward. Not at all.

I can’t say I am in love with the designs done in total TrianglePoint stitching, they are very graphic, graphics with no softening at all. They can easily be optical and you can do a magnificent fade with TrianglePoint but I would not use it for shading except in the most modern art designs. Very Picasso Cubist used that way.

So far, the best usage I have found is this, borders. This stitch is perfect for defining an area, bordering or enclosing it in a variety of ways. I think I need to delve deeper into the book, more then the graphs and beautiful pictures.

It was created by someone name Shirlee Lantz. The book’s sub-title is “From Persian Pavilions to Op Art with One Stitch”. I always like a good sub-title.

It was published in 1978, in a nice Hard Bound book on heavy paper stock. It has 32 pages of excellent color pictures, printed on matte finish paper. A handsome book.

The back dust jacket (yes, my nice used copy has a intact & clean dust jacket) says that Shirlee lantz also authored *The Pagent of Pattern for Needlepoint Canvas*.

I see Ms Lantz likes alliteration like I do. It has good reviews from the NY Times, The New Yorker and Mademoiselle magazine (does that even exist anymore?).

I love this, a review from Publishers Weekely says ” This stunning book may well be the new bible of needlepoint….soundly but vivaciously written and throughly fascinating”

Wow, that is praise indeed but I hardly think an obscure book on TrianglePoint is the new needlepoint bible.

I want to show you a close up of my border, in progress.

wave4border

There are some interesting points here. One of the really important things you need to get right for TrianglePoint is laying the threads. I am pretty much used to that from doing needlepoint and very much so for Bargello but it essential for this. As you can see, I am not always perfect there but I think I do alright.

I need to learn to use a laying tool. I have always just laid threads with my fingers and the needle I am stitching with but I have ordered these wonderful Rosewood Laying tools to sell on NewNeedlepoint.com. plus I now sell Trolley Needles and a nice Gold Plated Laying Needle. I guess I should learn how to use one. (digression alert).

I stitched the white row border first, next to the Bargello pattern. I like to use white for the first row for these borders, I think it sets off the colors used in the Bargello well and creates no conflicts as it *crosses colors* in the pattern.

I did the white first, then starting there and intending to keep the colors in the same order as they are in the pattern, I did the green next.

Then I spaced out and did 2 & 1/2 sides with the pink. It should have been the red. OK, I figured, it will be OK but it wasn’t.

It was not so much that the colors were out of sequence, it was more that the green triangles needed a strong color on top of them to balance them.

I should have taken a picture of the doomed pink triangles, out of their right order but I am not that swift. They were, however, wrong. very wrong so I pulled them all out and re-did them with the red, correct color, correct order.

Then next is the pink, then the blue and then I need to pick a color to repeat, to *cap* the border.

Since there are five colors in my Bargello pattern there should be 5 rows of border but for this border, I need an even number of rows.

This is different. It is almost always best to use an odd number of colors in any Bargello pattern. It keeps the pattern from becoming static, it somehow almost *rotates* the colors.

This is crucial in Florentine Embroidery Bargello. You loose the whole point of the every other row patterning with an even number of colors.

I am not going to use the Purple Pointed Curves Bargello in my new NewNeedlepoint Bargello categories. It just doesn’t work. The colors, while they really are lovely just do not *show* well and the fill in stitching just does not do it.

purplebargllobest

I think my Twin Peaks Bargello with the Slanted Gobelin Stitch multiple border is a success, so when Waves is done, I will have 2 of the 3 I want to have ready to re-open the Bargello Category.

I just realized I never took a picture of this Bargello all finished. This is the closest I got. I need to do that.

turquoise400

Listing the new canvases & kits on nn.com is coming along. Today I did a Kelly Clark design called “Nativity Cow”. It does have a “Nativity”
look and feel to it and uses lots of shiny Metallic threads in the design. This is available as both kit or canvas alone.

kellycow400

Also a interesting new canvas from Patt of Patt & Lee Designs. I call it 30 Houses Contemporary Sampler. It does look like a sampler but not like a traditional sampler. I like the strong graphics and interesting color use. There are 23 colors in this design. It too is being listed as the canvas alone or as a kit

houses 400

I had just listed the first of Patt & my Beginner’s Series needlepoint canvases & kits this past weekend. It is a adorable variation on Patt’s Shower Cat design, simplified for beginners and with a short text added.

showercat

It sold on Monday, I am somewhat amazed and quite pleased. I think Patt & I will be doing more of these.

I was waiting to see if one actually sold before I wrote my NewNeedlepoint.com Beginners Basic Directions Text so…I did it this morning.

It took me 3 + hours but I think it is good, or if not good it is very not bad and helpful.

I did the basics, how to start, how to end and begin new threads, tension etc. I added some diagrams of the most basic stitches and gave the excellent Stitch-0pedia web site addresses for the more basic and useful of the decorative stitches. I added the ANG web site.

Then I wrote something I wish someone had written for me when I first began to needlepoint.

There is a lot of basic information out there that everybody assumes everybody else knows (like what Stitch Painting means).

I learned to stitch from books on needlepoint. Again, there is basic information that is never covered. As far as I know, there is no “Needlepoint for Dummies” book yet.

I wrote about the things that slipped me up as a newbie, the things I did not know and did not know to ask. I wrote about canvas mesh sizes and what they mean to threads and stitching (no joke, that one took me a bit of time to reserach) and appropriate needle sizes for different
mesh sizes (now, that one took me forever to find out).

I wrote about making sure the stitches all *point* in the same direction. That is the single hardest thing to teach an absolute newbie about. That even when stitching an outline, the stitch direction does not follow the outline, it is a static direction.

And here’s the biggie. My first needlepoint humiliation.

I had done a little needlepoint 20 years before but none since

There was this great and funky looking needlepoint store 2 doors down from the post office I went to frequently. It was next to the health foods store and near the last of the old time 5 & 10 Cent Stores in West Concord, Massachusetts, near where I lived.

Concord can be a very snobby town, the cream of the Mayflower Daughters of the Old Yankee Aristoracy lived there and probably still do.

But West Concord was different, it was funky, arty, much more fun, loose and very much down scale. The store was in an old antique of a building, not renovated since the Civil War years.

It felt comfortable, and I jumped in.

One day I went into the store. The owner was there and we got to talking. I bought a needlepoint canvas, Silk & Ivory 50% silk and 50% wool threads, a basic needlepoint book, a package of needles and a needlepoint tote bag ( I still have that, it is a great bag).

I was pumped, I went home and stitched it. It took me maybe 3 weeks, maybe a month, the canvas was, I think, 6 X 8 inches.

It was a lovely rose on a stylized leopard print background (remember those? I bet you long time stitchers can even “date” me from that canvas).

I took it back to the store to be finished, I was shining with happiness and pride.

I walked into the store, it was a Saturday morning and I gave the woman working there my canvas proudly. I asked to have it finished as a pillow.

Now, I know it must have been crude, my stitching can’t have been much but I must have been absolutely glowing with pride in it.

This woman, who I had never seen before briefly looks at my canvas, she looks down at me (she was taller than me but even if she had been a foot shorter then me, she would have looked down at me) and told me I had to stitch 2 or 3 extra rows for the finisher.

She did not explain what she meant, she just handed it back and turned her back on me.

I was flattened. I felt extremely bug like and silenty scuttled out the door.

Some times I am amazed I ever went back there but I did. I wanted to stitch and there was no place else (that I knew of) to get this stuff.

I never did see that woman again, in all the times I went to that store, since that time but it stayed with me.

How was a newbie needlepointer to know this? This and Other things? How?

So, I wrote it all down, all of it I could think of. I talked stitch direction, tension, I know rolling the canvas to stitch but I gave them someplace to learn about stitching with a frame.

I talked dye lots and I talked about not taking on too much as a beginner stitcher. I wrote about all the people with good needlepoint intentions who started with too much, too big, too difficult a project and became overwhelmed, giving up on needlepoint.

Anyway, I am sure there are lots of things I forgot to mention. I probably will be adding to and editing this Beginners Basics mini-manual constantly but it is a start.

Anyone who has any ideas or suggestions for me to add to this *magnum opus* please sent them along. I am always glad to attribute.

To button this up for tonight, I am still deeply in Mansfield Park, I am at Fanny Price’s “coming out” ball tonight and the sooner I stop blathering here the sooner I can go read it.



Using Gold Braid
Saturday November 07th 2009, 1:40 am
Filed under: Needlepoint & Me


I have a confession to make, I cheated on my Jane Austen reading in order “program” I had re-read Pride & Prejudice just a few months ago (or maybe it was last year but it was still so fresh). I was finding it tedious to be reading it again so soon (What? blasphemy!).

I read a quarter of it and then put it away and moved on to the next one in order, Mansfield Park. I am enjoying it. The character of Mrs. Norris is so much more detailed in her awfulness and while Lady Bertram is indeed lazy and indolent, there is no hint of her Laudanum use. There is quite a bit of that in the movie.

I had heard once that the movie took “liberties” with the story. This might turn out to be true. The character and feelings of Fanny Price are very different in the book from in the movie. There is little resemblance between these 2 girls, even though they are supposedly the same person.

I tired to watch Wendy & Lucy, one of last years big deal arty independent films. I often love these but Wendy & Lucy lost me soon after the opening credits, her walking the dog and humming, then spying on the camp of migrant guys.

Goodbye to that movie. I watched this years hit movie The Proposal. The words formula, predictible, Sandra Bullock is no longer so cute and lame story all apply. Sure, Alaska was gorgeous but how many months a year is the weather that nice and not cold & snowy. I also wondered if the Alaska setting was a nod to Sarah Palin (who was a big deal while this was being made, if I have my timing right).

One of my worst nightmares is the USA run by President Palin, so this “connection” did not give me the “warm & fuzzies”.

I bet you are wondering when I will get around to Needlepoint, the supposed subject of this blog?

I am almost done loading the first of the Hand Painted Needlepoint Canvases & Kits done by others (that is exactly what the file holding them all reads, “others”)

These represent about 3/4 of the new canvases I received in the first part of the shipment, the ones they had in stock.

I did not want to bury NewNeedlepoint.com in new stuff so I am introducing them this way. The other 1/4 I will load slowly as I wait for the rest of the order. (4-6 weeks for a hand painted design).

These are a few new Graphic Designs:
Trinity by Eileen Best. This is listed as both a kit and the canvas.
trinity400

The Shaded Street by Gail Lang reminds me of Savannah or Beacon Hill, Boston iin the summer. This too is available as both kit and canvas.
street400

Many of the designs I am listing now call for Gold Metallic Threads (or other metallic colors). I am enjoying using my new stock of Kreinik Metallic Braid threads. I have used quite a bit of the gold and the white metallic and the copper so far. No call yet for the silver or the other colors…yet.

I have listed 2 new Christmas Tree Ornament Needlepoints. I don’t know if this is too late for this year’s holiday. I hope not. The next one makes good use of the Gold Braid, this is sold as a kit only
The American Star

OK, this is great. My blog utility has gone *down* again (AGAIN !!!) and I can’t post any more pictures.

How am I supposed to discuss these canvases without pictures?

I have a Less Than Full Skien Ornament from Patt & Lee Designs. It uses an amazing 13 colors. This is canvas only.

At least I still have links.

And the first of Patt & my beginner designs and adaptations of her designs for beginners.
I love this startled cat, indeed “It’s Always Something”.

I added Gone Fishing. This is the most expensive canvas I bought (so far, anyway) but I think it is wonderful. My fisherman husband loves this, he has already suggested I stitch this for him. He says he would like this on the family room couch better then all my other *girlie* needlepoint pillows.

There is the Laurel Burch Purple Cat. it is very intense, rich with colors and lots of gold.

Another beginner kit, The Bee & Flower

I wish you could see this picture. This is a gorgeous Asian Influenced Chrysanthemum design. For the kit, I have done the pattern behind the flowers in Gold Metallic Braid and supplied enough Paternayan yarn to do this as a circle or a square.

I I have more to list tomorrow.

Bargello update. I have 1 & 3/4 (or 2 and 3/4’s, depending on which ones I end up using) Bargellos done. When I have 3 to list, I will re-open the Bargello Category. My stitching is going well. When I don’t do it for a while, I forget how much I like combining the colors for and stitching Bargello patterns.